Dowry Deaths in IndiaOn the outskirts of Delhi, in the shadow of the famed Qutab Minar tower, lies the village of Saidulajab. Through its narrow rutted dirt alleyways, a local resident takes me to the home of his onetime neighbor, Manju Singh. It is there that he heard her cries of agony on July 10, 1996. Enacting an elaborate pantomime, Manju's neighbor indicates, by pointing to the browned leaves of a backyard plant, the spot where he found her and from which he took her, in the back of his bicycle rickshaw, to a local clinic. The next day, lying in South Delhi's Safdarjung Hospital with burns covering nearly her entire body, the 27-year-old regained consciousness long enough to tell a local police officer that her husband and in-laws had threatened to beat her the previous afternoon, haranguing her yet again over the inadequacy of her dowry. As she tried to escape-so alleges the police report-her husband and brother-in-law caught hold of her while her mother-in-law doused her with kerosene; then Manju's husband struck the match that would eventually kill her. Manju's case is one of an alleged six thousand "dowry deaths" a year in India. The term typically refers to a newly wed bride who, upon moving into her husband's family home, is harassed over the goods and cash she brought to the marriage, leading to her murder or suicide. Antidowry activists claim the actual death toll is much higher, and the British journal Orbit recently put the annual figure at fifteen thousand. Twenty years ago, India's feminist leadership began sounding the alarm. Responding to a groundswell of pressure from women's groups and the media, in the mid-1980s India's Parliament passed sweeping amendments to the largely moribund Dowry Prohibition Act of 1961, as well as the Indian Evidence Act and the penal code. The new laws acknowledged a quasi- manslaughter crime called "dowry death," and placed the burden of proof on the accused in any situation where a bride dies unnaturally during the first seven years of marriage, if a history of dowry harassment can be shown. In the ensuing years, the violence seems only to have escalated... ![]() Maxine Hong Kingston © 1998 by Paul Mandelbaum In her mammonth work-in-progress, the author of The Woman Warrior combines fiction and memoir and fights fire with peace...(from Poets & Writers, May/June 1998) In October 1991, driving home from a funeral rite for her father, Maxine Hong Kingston turned on the radio and heard that the Oakland Hills where she lived were ablaze. She sped as fast as she could, parked her car, and snuck past the police barricade to get to her house, but it was too late. The entire structure and its contents were destroyed, including her only copy of the 156-page manuscript that she'd been working on for two years. She was writing a new novel, to be called The Fourth Book of Peace. The title refers to three legendary precursors, all lost, perhaps burned in one of China's great library fires, she speculates. "I was trying to imagine what might have been in those books--the tactics of peace. And my book of peace got burned also. So I was thinking, You're really on to something here," says Kingston, sitting now in a living-room patch of sunshine that makes her white hair radiate with brightness. In an effort to regain her lost material, she let herself be hypnotized by a former student, who initially proposed having her visualize her computer screen in order to recapture the missing text verbatim. That approach sounded too static to Kingston. Instead, she visualized herself collecting a vial of special water that she would in turn sprinkle on her papers and pencils and even (don't try this at home) her computer. "Wherever I put the water, it was wet, golden, and shiny, and then I called for my characters that had burned in the other book, and they all appeared." In her trance state, Kingston held a conference with this cast of characters, who agreed to come to her aid in the event that she became stuck or lost. "So whenever I need help on this writing, I can have all those characters appear and I can ask them questions and then they can tell me what I need to write," she says, breaking into a pleasant chuckle meant, presumably, to acknowledge the balminess of this method. "I found out I need to write in community," she continues. "So I've gathered people. Real people and imaginary people, and we all write together." The first sentence of her new book is, in fact, donated by a friend and reads: "If a woman is to write a book of peace, it is given her to know devastation." "I have other sentences from other friends," says Kingston. "After the fire, wherever I went on speaking tours, I asked the audience to give me titles, and to give me research. And I asked them if they have any information on three lost books of peace." One fan even donated her old computer to Kingston because it was the same kind as the machine that burned. |
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